Originally Posted by Borgoguy
Check vid at approx. 2:57 to hear Lord explain how he created his monstrous organ tone by plugging his Hammond directly into a Marshall, rather than the Leslie. He made it possible for a legion of players from Hensley to Wright to Emerson to countless others to forge ahead into new sonic territory.
SIGN THIS BEAST.
Check to 4:50 he talks about "comping" solos (cherry picking solo fragments from several back to back takes).